An Evening in Honour of Henry David Thoreau & John Cage
An Evening in Honour of Henry David Thoreau (bicentennial of his birth) & John Cage
CHRISTOPHER SHULTIS (USA)
CRAIG SHEPARD (USA)
CRAIG SHEPARD (*1975 in New Haven, Connecticut, USA)
is a composer, trombonist and sound artist. He is a member of the Wandelweiser Composers Ensemble. His work has been called "touchingly beautiful" (Wolfgang Fuhrmann, Berliner Zeitung) and "truly invulnerable" (Martin Preisser, St-Galler Tagblatt). It has been featured at Moments Musicaux Aarau, the Akademie der Künste Berlin, the Kunstraum Düsseldorf, Experimental Intermedia New York, Real Art Ways in Hartford, the Deep Listening Center in Kingston, New York, and throughout Europe and the United States.
His most successful work is On Foot, a 31-day, 350-mile trek from Geneva to St. Margrethen, Switzerland on which he composed, wrote down and performed a new piece every day.
As a trombonist, he has performed with Christian Wolff, the Merce Cunningham Dance Company, Jürg Frey, Collegium Novum Zürich and many others. He has played on recordings with the Vokal Ensemble München and with Burkhard Schlothauer.
At the Zürcher Hochschule der Künste (Zurich University of the Arts), Mr. Shepard served as a lecturer and listening researcher. A paper detailing the results of his work has been published in the Schweizerische Musikzeitung.
From 2001 to 2005, he studied sacbut with Ulrich Eichenberger. In 1998, he graduated with a Bachelor of Music, magna cum laude, from Northwestern University, where he studied trombone with Frank Crisafulli and composition with Michael Pisaro and Alan Stout.
Craig Shepard lives in Brooklyn, New York City.
is Distinguished Professor Emeritus at the University of New Mexico where he taught percussion, composition and musicology. He also served as Regents’ Professor of Music and in 2010 gave the 55th Annual Research Lecture: “the highest award UNM bestows upon its faculty members.” He was awarded two Fulbrights to Germany: the first at the Rheinisch-Westfälische Technische Hochschule Aachen (1993-94) and the second at the Universität Heidelberg (1999-2000). Shultis now divides his time between composition and writing and his scholarly work on John Cage is internationally recognized. His work as a creative artist and scholar frequently draws on his past as an orchestral and solo percussionist and conductor of the University of New Mexico Percussion Ensemble, working closely with many composers including Lou Harrison, Konrad Boehmer, John Cage, Michael Colgrass, James Tenney and Christian Wolff—the latter two writing music dedicated to the ensemble.